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Local Art

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Matt’s former secretary, Elvira, is a lovely woman and a talented one too. Last year she was learning traditional weaving at a school in Cajamarca. The school’s main purpose is to provide training to young people in an effort to provide opportunities for these students who otherwise would likely continue to live in poverty. The girls in the skirts come from traditional farming families. The school’s additional purpose is to promote traditional weaving techniques. Elvira invited us to come on a day when the students were learning to dye wool using both natural ingredients and dyes. The instructor was delighted that we wanted to observe and mentioned that she thought our presence and interest would also reinforce to the students that these skills are valuable and interesting.

This batch was made using twigs from a type of pine tree. Notice the final product with all of the debris – I would not want the task of picking all the particles off the wool!

Showing How to Add the Wool Removing the Twigs Slow Process Keeping an Eye on Things Natural Dye Dipping the Wool Rinsing Rinsing More Hanging to Dry

The green and hot pink colors came from synthetic dyes. The pink and purple batches used a type of crushed beetles.

Colors Cooking the Wool Spooling Yarn Stirring the Pot First Dip Adding the Dye Weighing the Alum Waiting Tending the Pot Smoky Work Beetle Dye

Elvira’s current artistic endeavor is jewelry making. She takes classes at Koriwasi the Center of Technological Innovation in Jewelry that is funded by the Yanacocha mine in conjunction with the Peruvian Ministry of Commerce and Tourism. Its purpose is to teach jewelry making so individuals can set up small businesses and also to produce high quality jewelry for sale both in Peru and in international markets. Elvira invited me for a tour and as my prior manufacturing clients know, I love shop tours and this one far exceeded my expectations. Sarah joined me and we were treated wonderfully with many of the instructors taking time to explain (often in English!) the various stages of the process to us. We first saw the manual work room where the jeweler would create the object.

Elvira Weaving Copper More Tools Work room Tools of the Trade

Next stop was the kiln, where the silver is melted and a copper amalgam added to strengthen the silver, which is otherwise too soft. Jewelry from Koriwasi is certified 950 silver, meaning it is 95% silver. Sterling silver is 92.5% silver.

Kiln Melting Silver Ready to Shape Delicate process Fired Metal Starting the Torch

Just as we were beginning to think this was a low tech process, we got to the design room. They have several computers and use three specialized softwares (Type 3, 3Design and Rhinoceros). But the coolest part was seeing the 3D printer that prints a mold in wax. A small item takes almost an entire day to lay down the layers of wax to create the mold. They also have 2 other computers that create a mold the opposite way – wax is cut away to create the item. We learned that there are literally millions of dollars invested in the equipment of the school. Very impressive.

3D Printer Wax Remover Machine

We then went to the casting room. I have always had a hard time understanding the casting process despite countless museum visits, including several to the amazing Rodin Museum. So for me it was fantastic to have the process explained to us and to be able to see many of the steps in the process. As I understand it, the process is as follows (any errors are my own and not due to the patient instructors and Elvira who explained everything very carefully to us and answered my many questions).

1. Start with a metal master model of the piece.

2. Press into rubber molding material to create a mold of the model.

3. Very carefully remove the model, leaving the mold intact.

Making the Mold Delicate Work Working on the Mold

4. inject wax into the mold to create the pattern.

Wax Patterns

Wax Patterns

 

5. Attach the wax patterns to a trunk to create a tree.

Getting Ready to Make a Wax Tree Wax Tree in Process

6. The tree then gets placed into a cylinder and is covered in a plaster mixture,  leaving the base of the trunk uncovered. Once the mixture has hardened, the cylinder is heated. The wax melts and runs out of the mold, leaving a hollow mold in the plaster.

7. Molton metal (silver in our case) is poured into the trunk opening in the plaster, filling the void. Once cooled, the plaster is washed away. Violá – metal trees!

Tree and Casted Product Ready for Finishing Explaining the Process Elvira with Tree

8. The jewelry is then cut away from the base and finished.

Finishing Room

Finishing Room

One of the most interesting things is that even for items that are “mass” produced, it is still a labor intensive, hand detailed process. Very impressive. Our only disappointment was that the store was rather empty because many pieces had been taken to an out of town show!



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